Tuesday, July 29, 2014

Audio Electronics 3 - Week 3

I have found these schematics of some basic distortion effects pedals for electric guitar. My plan is to work on bread-boarding as many as I can, changing a few of the component values, but keeping the same basic design. Once I have found one I really like, then I will buy the DIY kit version, which should come with a PCB, and all the switches, knobs, LEDs, and the box so I can have at least one pedal that looks as good as it sounds.

MXR Distortion +
Although labelled as distortion, this is a soft clipping device, using germanium diodes. It's a good example of how little you need for a good basic sound. You could easily swap (or switch) these diodes to silicon types for hard clipping.
MXR Dist +
ProCo Rat Distortion
Not necessarily the next pedal chronologically, but look at how similar this design is. It uses 2 silicon diodes for symmetrical hard clipping. I would also expect that at high gain settings, the IC also clips to the supply rails.
Pro Co Rat Distortion
Ibanez Tube Screamer
No discussion on overdrive pedals is complete without looking at the Ibanez Tube Screamer. There have been several minor variations of the pedal released by Ibanez, and a larger number of variations sold by boutique pedal manufacturers. As our guitar heroes die, it seems the equipment they used sometimes takes on a mythical status. In my opinion, this is the case with the genuinely legendary Stevie Ray Vaughan and the Tube Screamer. This results in some silly prices for original pedals, and a lively market to convert different pedals to Stevie's model.
Nevertheless, the green Ibanez box is a very smooth sounding pedal that retains the guitar timbre well, and for that reason works well with single coil guitars. There is not an enormous amount of drive available, and the tone control is subtle. Like many overdrive pedals, there is some middle boost, caused by the bass cut before overdrive, and treble cut afterwards.
Another common use for these pedals is as a middle booster to drive a valve amplifier harder. This is done by setting little or no drive, but with the level set high.
In the schematic, you can see two silicon diodes, back to back, in the negative feedback path of an op-amp. This arrangement gives symmetrical soft-clipping.
Ibanez Tube Screamer
Boss Super Overdrive SD-1
These were originally sold without the tone control. The design is nearly identical to the Ibanez Tube Screamer with 2 important changes. More boost is available, but is partly offset by using 2 diodes in one direction and only one in the other. This produces asymmetrical soft clipping, meaning that one side of the waveform is clipped more severely than the other. A more common implementation of asymmetrical clipping is to use 2 silicon diodes, with a germanium diode in series with one of them.
There is lively debate on the Internet about whether this sounds more natural, and whether it better emulates some asymmetric valve phase splitter designs. In any case, I think it does add a little character, and therefore suits humbucker guitars well.
Boss Super Overdrive SD-1
Marshall Pedals: Blues Breaker, Drive Master & Shred Master
These three pedals were released in the early 90's, and use different clipping and tone shaping techniques to deliver different sounds.
The Blues Breaker uses silicon diodes in series with a resistor, in the op-amp feedback path for very soft clipping. It's therefore a very subtle pedal, with warm sounds at low to medium overdrive, but can sound a little fuzzy at high gain. Retention of guitar timbre and dynamics is good, and intermodulation (read above) is acceptable.
Marshall Blues Breaker
The Drive Master uses LEDs shunting to ground for symmetrical soft clipping. I like this pedal for its howling Marshall stack-like qualities with single note solos and power chords. Dynamics are good at high drive levels, retention of timbre is excellent, but intermodulation is a problem for anything but simple chord work.
Marshall Drive Master
The Shred Master is not quite the animal its name implies. It uses silicon diodes shunting the signal to ground, for symmetrical hard clipping. Bass and treble controls, and a contour control offering middle boost and cut sounds give a wide range of usable sounds, although I'm not convinced shred is one of them. Retention of dynamics is good, intermodulation is OK, and retention of timbre is good at low drive settings.
Marshall Shred Master 
 

This MXR Distortion + schematic is the one I am currently working on.

Monday, July 28, 2014

Audio Electronics III - Week 3 Blog

I found some additional information on building the Hand of Light.

Here's the schematic of the project (PCB & power transformer):





Here's the PCB board layout:



























While in class, I went online to search for information on compressors and optical compression. Here are my notes:

What is Optical Compression?
  • Types of compressors 
    • Tube
    • FET (field effect transistor)
    • VCA (voltage-controlled amplifier)
    • Optical photocell arrangement (light source and light detector)
    • Digital processor

Optical Compressors
  • Basic principle of optical compressor - changes electricity into light, and then back to electricity 
    • During the process there are certain kinds of nonlinearities that occur—producing a very desirable effect when applied to audio signals in a controlled way (logarithmic/exponential deviations)
    • Like most common compressors, the incoming audio is split into 2 parts: 
      • the part that passes through the gain and is ultimately output
      • the part that is used in the detector circuit to control that gain stage (this is what is unique in optical compressors)
        • A light source and sensor are employed to control the gain reduction
    • “the real magic in an optical compressor as an audio device lies in the photocell”
      • the photocell has a gradual and predictable release curve, which is very gentle and musical
      • the first 50% of its release occurs very rapidly (tens of milliseconds)
        • complete release can take several seconds
          • this type of release is not found in typical solid state or tube design
          • the cell also exhibits a phenomenon known as memory
          • the release time of the cell is dependent on the duration and intensity of the light to which it has been exposed
          • (when the input signal has been quite loud, and the compressor has been working harder, the release time will be longer)

Photocell/Photoresistor
  • Also known as a light-dependent resistor (LDR)
  • Light-controlled variable resistor
    • The resistance of a photoresistor decreases with increasing incident light intensity (photoconductivity)
  • Made of high resistance semiconductor
  • In the dark, a photocell can have a resistance as high as a few megaohms
  • In the light, a photocell can have a resistance as low as a few hundred ohms

Optical VS Electronic Compressor
    • Inside compressors - voltage controlled amplifier (automatically controls the volume of the signal)
  • Optical - less distortion, quieter, slower/smoother control sweep (how the compressor smashes sound over time)

Sources/Links





Audio Electronics III - Week 2 Blog

For my final project, I've decided to build an opto-compressor by PCBGrinder.com called the 'Hand of Light'. 


Here are the list of parts I ordered:

- PCB - Hand of Light


- Hand of Light Casing


- Components
Hand of Light BOM
(May contain inaccuracies) 

Resistors
2 pcs 15R 1 pcs 47R 1 pcs 330R 1 pcs 470R 1 pcs 1K
2 pcs 3K6 1 pcs 3K9 2 pcs 4K7 3 pcs 5K1 1 pcs 5K6 1 pcs 8K2 4 pcs 10K 5 pcs 22K 4 pcs 33K 1 pcs 75K 2 pcs 100K 1 pcs 140K 2 pcs 1M
2 pcs 10K trimmer 1 pcs 500R trimmer 1 pcs 250K trimmer
Ceramic/mica caps
2 pcs 500pF 2 pcs 22pF 2 pcs 18pF 1 pcs 100pF 1 pcs 10pF
Transistors and diodes
2 pcs BD139
1 pcs BD140
2 pcs 1n4004 diodes 3 pcs 10V zener diode

IC & opto
5 pcs 8 pin IC socket 4 pcs NE5532
1 pcs TL072 Vactec VTL5C4/2
Polyester caps
1 pcs 2,2uF 10 pcs 100nF 1 pcs 220nF
Electrolytic caps
3 pcs 6,8uF 1 pcs 10uF
Pots & switches
2 pcs 10K log
1 pcs 2x6 switch

Connectors
2 pcs 3 way molex connector 3 pcs 2x 5 connectors
Transformers
1 pcs Lundahl 5402 2x18V supply (and PSU)
Mounting
XLR female XLR male IEC
Fuse socket Fuse

Wire, nuts and bolts
Knobs
A standard VU meter, or a DC meter with an external diode bridge. 


While waiting for these parts (along with my breadboard & jumper cables), I will be building a power supply (120V to dual 18VAC).

Saturday, July 26, 2014

Electronics III: Week 2

Hey guys!

After much research from the resources provided by Sudhu I came across a ten inch cube monitor kit. I then discovered that there are also kits available for a NS10 replica. So for my project I am going to build a set of monitors as an additional monitoring source for my set up at home. I thought this would be a great opportunity to build something I will be able to use a lot. I realized that the kits that can be purchased aren't much of a challenge so I decided to build the amplifier that powers the driver. For me money is an issue so this brought up the question what would be better; to build from the kit or to purchase the components individually and build it from scratch(Time vs Money)? If I build from the kit was is the cost difference between different kits that will provide different wattage ratings, and also what size driver do I want to power? I realize that I could always switch out parts later. I then decided to work from a less expensive kit to start that provides 30 Watts of power and then to upgrade the drivers later on in the future. After more research I found kits for a more powerful power amp with power heatsink which would allow me to power bigger drivers. I looked at the specs for the NS10M's as well as the Rokit 10's as well as a couple other speakers. This gave me more insight into what I would like the final result to be. My goal is to build the power amp and crossover, design the box and add a balanced input. The design will be based on the design of the NS10M.



The Kit:

XKitz: 30 W 2 Way Active W/ Filter Calculator





Comparison Schematic for 30 W Low Distortion Power Amplifier W/ Tonal Controls:


Yamaha NS10M Specs:


KRK Rokit 10 Specs: 


Optional Bi70MK2 Class AB BiPolar Amp W/ Heatsink:

Bi70MK2 Schematic:






Monday, July 14, 2014

Audio Electronics 3!

This is a blog to track the progress of a group of fantastic Audio Electronics students at the Art Institute of California San Francisco as they build amazing audio electronics projects!